Dominia Saint Petersburg, Russia
Dominia was formed (as Tentamentum) in Russian city Saint-Petersburg in February 1999 by vocalist and composer Anton Rosa
and guitarist Denis Sukharev (Daniel).
Initially, the band professed typical for that time, black-death metal, but in September 2001 Tentamentum changed its' name and genre.
... more
If you like Dominia, you may also like:
supported by 9 fans who also own “The Shadow of the Lost Prophet”
Ave, the CDs reached me today. Many thx, best regards from Germany and have a good time. Sven Great atmospheric BM
go to album
Hour of the Nightingale
by Trees of Eternity
supported by 8 fans who also own “The Shadow of the Lost Prophet”
I listen to this album really often. Finally I had a chance to buy it.
go to album
supported by 7 fans who also own “The Shadow of the Lost Prophet”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
go to album
In Somber Dreams
by Mother of Graves
featured on Bandcamp Radio Jan 22, 2021
go to album
In The Shadow Of The Lights
by Vanessa Funke / Luroga
featured on Bandcamp Radio Aug 18, 2023
go to album
Raven And The Nightsky
by Dark The Suns
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace.
go to album
Life has gone on long enough
by NONE
supported by 7 fans who also own “The Shadow of the Lost Prophet”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
go to album
